May-Aug. 2019. "At night with the play of light, Glass Ceiling appears to have an aura. In the daylight, it seems edgy and difficult but, when sunlight fills the space, it is suddenly luminous and seductive." Art critic Warren Feeney considers the sensory impact of Glass Ceiling (NZ Aotearoa) in an indepth interview with the artist, exploring the work's materiality, site-specific content, politics and metaphors, and the public's response. 'Smashing the Glass Ceiling' World Sculpture News, Winter 2019, pp46-50