Feb 2021. New Zealand's international Auckland Aotearoa Art Fair features The Snake Charmer in the inaugral Sculpture Space on the waterfront overlooking the America's Cup yachts and glistening harbour. The granite sculpture embodies the form of the first person, the number One, and the declaratory First. Set within a circular garden of healing native plants based on Rongoā Māori, the sculptural tableau draws audiences in to contemplate and touch. Like a siren or guardian, The Snake Charmer watches over land and sea.

Dec. 2020. International art commission platform CODAworx has recognised NZ artist Gill Gatfield as one of 25 Creative Revolutionaries: ‘exemplary leaders of positive change in the field of commissioned art - to celebrate, to learn from, to set the bar.’ In an online panel 'Welcome to the Creative Revolution!', Gill joins three other Creative Revolutionaries to discuss her multi-media sculpture practice and share strategies and ideas with an audience from across the globe, exploring how to make public art that activates change.

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Sept/Oct 2020. At CODAsummit Virtual 2020 Gill Gatfield presents 'Native Tongue - A Taonga / Treasure', exploring how creative use of digital technology is redefining and expanding the fields of sculpture and public art. In an alchemy of old and new, the artist carved the totemic 3m/10ft high sculpture Native Tongue from a prehistoric wood recovered from a native forest which was buried at the end of the last Ice Age in Aotearoa New Zealand. Seeking to extend the ideas, form and mana of Native Tongue, she created the sculpture's alter-ego using state-of-the-art extended reality tools to realise Native Tongue XR, a spirit figure that can travel the world.

Drawing its audience inside the frame, a new archival photograph Glass Ceiling describes an undulating field pulsing with imagination. Beneath the neo-classical arches of the towering Silo, a crystalline pool of acquamarine glass evokes a broken metaphor and a sublime scene. The once-was glass ceiling is smashed and silo-ed: set apart and isolated, prised open for inspection. Focus shifts from an invisible obstacle above to the now palpable sum of its parts. Like an ancient Roman Forum, Glass Ceiling frames space for discussion and the exchange of ideas; a beautiful sensory 'room' for meditation and healing, and a salient reminder of the forces of gravity and unbridled power. An industrial scale monument, it proposes a memorial to the past and a foundation for the future, with higher goals.

Presented: SCAPE Public Art - Art in Residence 2020 Details

July 2020. A new public artwork for Sydney, Asterisk (from the Ancient Greek 'asteriskos': little star) combines ancient stones with celestial form, marking journeys past and present. The 12 tonne sculpture is sited at the entrance of a new park developed by NSW Government and Westconnex on 18 hectares of open space, part of a major transport infrastructure project on Cadigal and Kameygal land. The intersecting stone from different corners of Australia - Pilbara, Chillagoe and Sydney, trace the history of the oldest continent on Earth. A unique composite blade made from rock recovered from road tunnelling below the site orientates the star-form to Ginan, a small star recently internationally recognised by its ancient Aboriginal Australian astronomy star-name. Shadows mark the passage of time in a circle of heritage stones from the Triassic period, which once lined local roads.

Asterisk 2020
Pilbara Marble, Chillagoe Marble, Sydney Tunnel-Stone, Heritage Sandstone
12m Dia. x 1mH.
Westconnext Public Art Project, St Peter's Sydney NSW

April 2020. WomanMade Gallery Chicago presents a curated virtual exhibtion, aptly titled 'Touch' during a global pandemic lock-down. Zealandia (At Home) joins selected international multimedia works each navigating the pyschology of human need for connection with nature, community and aspiration in times of turmoil.

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Jan. 2020. International commissioned art platform CODAworx honours 25 Creative Revolutionaries - "artists and arts collaborators, leading the way for positive change", among them NZ sculptor Gill Gatfield:

"an activist and an alchemist, creating beautiful minimalist artworks packed with complexity. Inventive in form and meaning, her work draws audiences to engage through sensory experience and inspired philosophical meanings. From a platform of inclusion, Gill's public artworks challenge the status quo, raising eyebrows, questions, and the bar for minimalist art in contemporary practice. ..."

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Dec 2019-Feb 2020. The Vivian presents work by Gill Gatfield in the Summer Show, a curated exhibition at the purpose-designed spacious gallery north of Auckland, with Australian artists Sally Gabori, Patricia Piccinini and Stephen Benwell, and NZ artists Monique Lacey, Rebecca Wallis, Peter Panyoczki, Cruz Jimenez, Iain Cheesman and Seung Yul Oh.

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Nov. 2019. A new critically acclaimed book by Dr Warren Feeney reviews the exceptional public artworks and projects commissioned by Christchurch based SCAPE Public Art, NZ's premier international bi-annual sculpture exhibition. This 20 year survey includes an interview of artist Gill Gatfield and images of her 4 tonne granite sculpture The Kiss installed on the neo-gothic quad at Christ's College. "An essential book for anyone interested in public art" Andrew Paul Wood, EyeContact Nov 2019

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Oct. 2019. Sculptor Gill Gatfield is a NZ Women of Influence Finalist, nominated for outstanding work in the arts & creative sector and for diversity leadership with impact across sectors. Juried by a prestigious panel of industry leaders chaired by Dame Silvia Cartwright, the Women of Influence Awards recognise and celebrate the passion and vision of New Zealand women leaders on the national and international stage.

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